Scottish Dance Theatre: The Game of Life, Rotten Work
Ballett Zürich in Cathy Marston’s new A Midsummer Night’s Dream
Marikiscrycrycry: Hang Time Hanging
Motionhouse: Hidden
A beautiful spell. Birmingham Royal Ballet’s Swan Lake
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Scottish Dance Theatre: The Game of Life, Rotten Work
October 31, 2026
The more my questions and thoughts piled up, the more I found Rotten Work increasingly fascinating. The more it drew me in. The more intently I found myself watching. And the more I would rather like to see it again
Ballett Zürich in Cathy Marston’s new A Midsummer Night’s Dream
October 30, 2026
Marston’s outlook on the story is contemporary, fun and hits the heart, because it successfully fuses an old tale full of recognisable emotions with elements of today.
Marikiscrycrycry: Hang Time Hanging
October 30, 2026
The seven dancers’ movement vocabulary is wonderfully varied… Fluent floorwork, vigorous ensemble passages and intricate partnering demonstrate an impressive technical range
Motionhouse: Hidden
October 30, 2026
A performance that thrills and entertains while attempting to relate to current concerns.
A beautiful spell. Birmingham Royal Ballet’s Swan Lake
October 29, 2026
The swans slowly rise through the haze, drawing an audible wave of astonishment from the audience. It is a wonderfully atmospheric, dreamlike image
Northern Ballet in Michael Pink’s Cinderella
October 26, 2026
The tone throughout is light. This is a Cinderella where the heroine has a bright outlook on life. She never gets close to being in the depths of despair
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London City Ballet: Ghost Light and Firebird
October 25, 2026
Two contrasting works by John Neumeier and Glen Tetley, and an evening that confirmed the exceptional quality of this increasingly impressive company
Boram Kim’s Gwantong 18. Who is Boram Kim anyway?
October 25, 2026
After seventy minutes, I cannot say I know Boram Kim. But he is a fascinating dancer, an amusing storyteller and, with all his eccentricities, pretty good company.
Dickson Mbi Company: Tellus
October 25, 2026
Tellus is a fully immersive show… Mbi looks to the folklore of his Cameroonian heritage to explore our fractured relationship with the earth.
Scottish Dance Theatre: A long and unsettling evening
October 25, 2026
“A long and unsettling evening.” Édouard Hue’s The Game of Life and Emilie Leriche’s Rotten Work.
Paul White and Victor Callens at Arteria Tortosa
October 24, 2026
“Covered in newspapers, a technician brings White to the lawn that is the stage in wheelbarrow, leaving him as if he were trash…”
New York City Ballet: All-Balanchine
October 21, 2026
After 58 years out of the repertory, Balanchine’s Pithoprakta, pieced together from incomplete film recordings and Suzanne Farrell’s memory, gives a lot to talk about
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Dance is Not For Us by Cie Omar Rajeh & Maqamat
October 17, 2026
A short powerful burst of human emotion wrapped in poetic thoughts and a forest of basil plants.
RB Dance Company: Stories
October 16, 2026
Ten dancers, all multi-talented, commanding the stage at every step, and leaving an indelible impression
For choreographer Micaela Taylor, it’s all about rhythm
September 11, 2026
A conversation with Micaela Taylor about her work and her new ballet, ‘Bow Out’, part of English National Ballet’s forthcoming Rhythm Riot programme
Why Hamlet? A conversation with Ben Duke
September 9, 2026
Ahead of performances in Paris in September and then Sadler’s Wells East in November, Zoë Hewitt talks to Lost Dog director Ben Duke about his new production, ‘The Last Hamlet’
Something special. César Morales Anderson on Ballet de Santiago and Swan Lake
September 7, 2026
September 2027 sees the UK debut of Ballet de Santiago in Ivan Nagy’s Swan Lake. Artistic director and former Birmingham Royal Ballet principal César Morales Anderson talks with David Mead about the company, the ballet, and becoming a director.
Carlos Acosta: Myths and Modern Masters
August 7, 2026
Myths and Modern Masters is not only about Acosta himself. It’s just as much a celebration of the talent at the two companies he leads.